–– 2015 – 2016 SEASON ––
This production is directed by Leslie J. Miller, and features Peg Peterson, Carley Elizabeth Preston, Amanda Gremel, Richard Gremel, and Evander Gaines.
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Sovereign Body
by Emilie Beck Feb 4 – 21, 2016 The Zuzi! Theater in the Historic Y In this Arizona premiere, Winding Road will bring the playwright to Tucson to work with us on her play—the moving, funny, complex and strange story of a woman's struggle to reclaim her body after being struck by a neurological illness. |
This production is directed by Katherine Monbery, and features Susan Arnold, Jill Baker, Tony Caprile, David Alexander Johnston, Melanie Kersey, Lucille Petty, Gary Tyrell, and Ellie Vought.
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Saint Joan
by George Bernard Shaw Adapted by Toni Press-Coffman Oct 8 – 25, 2015 The Zuzi! Theater in the Historic Y In what many consider to be Shaw's greatest play, we meet Joan of Arc: not a saint, a witch, or a madwoman, but a French farm girl who is anything but simple—an illiterate intellectual, a true genius whose focus on the individual rocked the Church and State. |
This production is directed by Susan Arnold, and features Lucille Petty, Steve Wood, David Alexander Johnston, Clark Ray, Glen Coffman, Gary Tyrell, and Ben Adami.
"Great direction. Sets - very clever use of the curtains. Music - WOW! Always nice to have it match the play and have the added grace to exactly allow for smooth transitions and scene changes. We really, really enjoyed the play. Keep up the super work."
– Gretchen and Carl Goswick –
– Gretchen and Carl Goswick –
"What a pleasure to see your fine production of St. Joan this weekend! The staging was clever and underpinned the themes quite nicely. Good work, and a lot of work."
– Monica Bauer –
– Monica Bauer –
"Your production is proof of something I've long believed - that ideas as well as ideals can be the stuff of heightened drama. You were able to make the play much more emotionally invested than is usually the case with Shaw. The convictions portrayed were indeed matters of life and death and the play gained from it being as much about the "sides" surrounding Joan as about Joan herself. I found the movement of the curtains to be potent and stirring."
– Patrick Baliani –
– Patrick Baliani –
